Wednesday, October 2, 2013

Edgar Wright and the Infinite Sadness

For some reason, Edgar Wright has intentionally hidden the meaning behind an obscure relevance between the star of the film, Scott Pilgrim Vs the World and The Smashing Pumpkins.  The relationship of the comic, which the film is based upon, and the Pumpkin's hit album, Mellon Collie and the Infinite Sadness, has trickled into the foreground without detailing any secure intentions.  What those intentions were have remained somewhat of a mystery, and I am thus far the only person to my knowledge outside of "the know" who has figured it out.  Fans who have scavenged the film for the so-called Easter eggs Edgar repeatedly drops into his works have turned up only mild speculations.  This is a work in progress to reveal the true nature of Wright's take on O'Malley's tale of epicness.

It's been years, and although the hype has dissolved and interests have cooled, perhaps there is another scale to this supercharged, musical adventure.  One that just may bring the whole thing into another deeper, explosive and heart-driven manifestation that reveals a master-work far more worth the consideration than it's previous form.  The film itself is a remarkable piece of work, delving into an uncategorical genre and pulling off a unique view of a pre-to-post coming of age story.  But everything sought after to enjoy about this rouge film has been completely checked off, thus far, and all of the current reviews seem to be, at best, a weakly supported afterthought when it comes to any hidden languages appearing within the film.  What I want to do is start the fire on a major oversight that I believe the world has sadly accepted, so that this amazing discovery that I have been thrilled to uncover may finally make it's glorious début.

However, as hard as it was for me to believe that I was viewing solely by myself this phenomenon, it has been even harder still to piece together the combination of clues with the strange.  I discovered the reasons why this has escaped the public for so long; without fate playing a part, it would have never happened.  Because of the nature of the beast, there is no easy way to show anyone not personally nearby, so the best way that I can deliver the notion is by giving everyone the chance to pick it up for themselves.

Look at it this way, Edgar left a trail of egg shells for you to hunt, but he was more worried about the end result and so the pieces got half buried in the path.  I am simply going to point them out the best I can.  After getting such great satisfaction from discovering something of this magnitude myself, I'd hate to deprive anyone of the same opportunity anyway. 

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